1. The concept of “crossover” describes the economic exploitation of a cultural phenomenon and describes the sales success of a product aimed at one market being reproduced in another.
Group of answer choices

True Or False

2. In addition to creating “biracial pop” in the 1950s and 60s, the Twist, the Madison and other fad dances delivered “the dream of integration” on and off the dance floor

True or false

3. Although radio and disc hops allowed a sonic cultural exchange, the physicality of dance remained initially separate.

True or false

4. Music video employs a complex musical process of appropriation, transmission, and dissemination of popular dance practices from stage, street, and screen that are transmitted back and forth from local vernacular context through to the mass-mediated screen of the global television audience.

True or false

5. Tim Wall posits that the mambo prefigured the dance fads of the 1950s and 1960s because it turned the usual step-beat relationship of earlier social dance on its head by using pauses where there would formerly have been steps.

True or false